-
1 naturalistischer Kunststil in Amerika 1920-1940
Deutsch-Englisches Wörterbuch > naturalistischer Kunststil in Amerika 1920-1940
-
2 Bild
n; -(e)s, -er1.a) auch TV und fig. picture;c) (Foto) photo, picture; (Schnappschuss) snap(shot); ein Bild aufnehmen oder umg. knipsen take a picture ( oder photo); hier sind Bilder von unseren Ferien here are our holiday (Am. vacation) snaps;d) in Büchern: illustration, picture2.b) (Nachbildung) effigy3. (Bühnenbild) scene; im Filmvorspann: camera; ein Trauerspiel in fünf Bildern a tragedy in five scenes; lebende Bilder Theater: tableaux (vivants), living pictures4. (Anblick) picture, sight; (Szene) scene; Bild der Zerstörung / des Grauens scene of destruction / horror; ein Bild des Jammers a picture of misery; die Stadt bot ein verändertes Bild the city’s appearance had altered considerably; ein Bild für ( die) Götter! umg., hum. that’s a sight worth seeing!5. (Vorstellung) idea, picture; eines Landes, eines Dichters etc.: image; (Schilderung) picture, description, portrait; sich (Dat) ein Bild machen von jemandem/etw. (sich vorstellen) auch visualize s.o./s.th.; von etw. (selber ansehen) see s.th. for o.s.; sich ein falsches / zu optimistisches etc. Bild machen von jemandem / etw. see s.o. / s.th. in the wrong light / too optimistically etc.; ein falsches Bild bekommen get the wrong idea ( oder impression, picture); sich ein wahres oder rechtes Bild von etw. machen oder verschaffen form a true notion of s.th.; du machst dir kein Bild ( davon) you have no idea (of it); sich ein Bild machen form an impression (in one’s mind) ( von of)6. rhetorisch: image, metaphor; (Gleichnis) simile; in Bildern sprechen oder reden use a metaphor, speak metaphorically7. fig. picture; im Bilde sein be in the picture; jetzt bin ich im Bilde now I get the picture, now I get it, I’m with you now umg.; jemanden ins Bild setzen put s.o. in the picture ( über + Akk about); kann ich dich darüber mal ins Bild setzen? auch can I fill you in on this one?* * *das Bild(Abbildung) picture; image;(Ansicht) sight; view;(Darstellung) representation;(Foto) photo;(Gemälde) painting;(Gleichnis) simile;(Metapher) metaphor* * *Bịld [bɪlt]nt -(e)s, -er['bɪldɐ]1) (lit, fig) picture; (= Fotografie) photo, picture; (FILM) frame; (ART) (= Zeichnung) drawing; (= Gemälde) painting; (CARDS) court or face (US) card, picture card (inf)ein Bild machen — to take a photo or picture
etw im Bild festhalten — to photograph/paint/draw sth as a permanent record
See:→ schwach2) (= Abbild) image; (= Spiegelbild auch) reflectionGott schuf den Menschen ihm zum Bilde (Bibl) — God created man in His own image
das äußere Bild der Stadt — the appearance of the town
5) (THEAT = Szene) sceneSee:→ lebend6) (= Metapher) metaphor, imageum mit einem or im Bild zu sprechen... — to use a metaphor...
etw mit einem Bild sagen — to say or express sth metaphorically
im Bild bleiben — to use the same metaphor
7) (= Erscheinungsbild) charactersie gehören zum Bild dieser Stadt — they are part of the scene in this town
8) (fig = Vorstellung) image, pictureüber +acc about)im Bilde sein — to be in the picture (
über +acc about)jdn ins Bild setzen — to put sb in the picture (
von jdm/etw ein Bild machen — to get an idea of sb/sth
du machst dir kein Bild davon, wie schwer das war — you've no idea or conception how hard it was
das Bild des Deutschen/Amerikaners — the image of the German/American
* * *das1) (reflection: She looked at her image in the mirror.) image2) (a painting or drawing: This is a picture of my mother.) picture3) (a photograph: I took a lot of pictures when I was on holiday.) picture* * *<-[e]s, -er>[bɪlt, pl ˈbɪldɐ]ntein \Bild malen/zeichnen to paint/draw a picture2. FOTO picture, photo[graph]ich habe noch acht \Bilder auf dem Film I've got eight photos [or exposures] left on the filmetw im \Bild festhalten to photograph sth as a record3. FILM, TV pictureetw im \Bild festhalten to capture sth on film [or canvas4. (im Spiegel) reflectiondas \Bild der Erde hat sich sehr verändert the appearance of the earth has changed greatlyvom Aussichtsturm bot sich ein herrliches \Bild there was an excellent view from the observation towerdiese riesigen Hochhäuser wären sicher keine Bereicherung für das \Bild der Stadt these skyscrapers would hardly improve the townscapedie hungernden Kinder boten ein \Bild des Elends the starving children were a pathetic [or wretched] sightuns bot sich ein \Bild der Verwüstung we were confronted with a scene of devastationin \Bildern sprechen to speak in imagesdas in dem Werk gezeichnete \Bild der Amerikaner ist sehr negativ the image of Americans in this work is very negativevon seiner zukünftigen Frau hat er schon ein genaues \Bild he already has a very good idea of what his future wife should be likeein falsches \Bild von jdm/etw bekommen to get the wrong idea [or impression] of sb/sthdu machst dir kein \Bild davon, wie schwer das war! you have [absolutely] no idea [of] how difficult it was!mit diesem Artikel rückte er sich ins \Bild he announced his arrival on the scene with this article9. KARTEN picture10.▶ [über jdn/etw] im \Bilde sein to be in the picture [about sb/sth]▶ ein \Bild von einer Frau sein to be a perfect picture [or a fine specimen] of a woman▶ ein \Bild von einem Mann sein to be a fine specimen of a man▶ jdn [über jdn/etw] ins \Bild setzen to put sb in the picture [about sb/sth]* * *das; Bild[e]s, Bilder1) picture; (in einem Buch usw.) illustration; (Spielkarte) picture or court cardein Bild [von jemandem/etwas] machen — take a picture [of somebody/something]
ein Bild von einem Mann/einer Frau sein — be a fine specimen of a man/woman; be a fine-looking man/woman
2) (Aussehen) appearance; (Anblick) sightein Bild für [die] Götter — (scherzh.) a sight for sore eyes
3) (Metapher) image; metaphor4) (Abbild) image; (SpiegelBild) reflection5) (Vorstellung) imageein falsches/merkwürdiges Bild von etwas haben — have a wrong impression/curious idea of something
sich (Dat.) ein Bild von jemandem/etwas machen — form an impression of somebody/something
6) injemanden [über etwas (Akk.)] ins Bild setzen — put somebody in the picture [about something]
[über etwas (Akk.)] im Bilde sein — be in the picture [about something]
7) (Theater) scene* * *1. auch TV und fig picture; (Gemälde) painting; (Porträt) auch portrait; (Foto) photo, picture; (Schnappschuss) snap(shot);ein Bild aufnehmen oder umghier sind Bilder von unseren Ferien here are our holiday (US vacation) snaps; in Büchern: illustration, pictureein Trauerspiel in fünf Bildern a tragedy in five scenes;lebende Bilder Theater: tableaux (vivants), living picturesBild der Zerstörung/des Grauens scene of destruction/horror;ein Bild des Jammers a picture of misery;die Stadt bot ein verändertes Bild the city’s appearance had altered considerably;ein Bild für (die) Götter! umg, hum that’s a sight worth seeing!5. (Vorstellung) idea, picture; eines Landes, eines Dichters etc: image; (Schilderung) picture, description, portrait;sich (dat)ein Bild machen von jemandem/etwas (sich vorstellen) auch visualize sb/sth; von etwas (selber ansehen) see sth for o.s.;sich ein falsches/zu optimistisches etcBild machen von jemandem/etwas see sb/sth in the wrong light/too optimistically etc;ein falsches Bild bekommen get the wrong idea ( oder impression, picture);verschaffen form a true notion of sth;du machst dir kein Bild (davon) you have no idea (of it);sich ein Bild machen form an impression (in one’s mind) (von of)reden use a metaphor, speak metaphorically7. fig picture;im Bilde sein be in the picture;jetzt bin ich im Bilde now I get the picture, now I get it, I’m with you now umg;jemanden ins Bild setzen put sb in the picture (über +akk about);kann ich dich darüber mal ins Bild setzen? auch can I fill you in on this one?* * *das; Bild[e]s, Bilder1) picture; (in einem Buch usw.) illustration; (Spielkarte) picture or court cardein Bild [von jemandem/etwas] machen — take a picture [of somebody/something]
ein Bild von einem Mann/einer Frau sein — be a fine specimen of a man/woman; be a fine-looking man/woman
2) (Aussehen) appearance; (Anblick) sightein Bild für [die] Götter — (scherzh.) a sight for sore eyes
3) (Metapher) image; metaphor4) (Abbild) image; (SpiegelBild) reflection5) (Vorstellung) imageein falsches/merkwürdiges Bild von etwas haben — have a wrong impression/curious idea of something
sich (Dat.) ein Bild von jemandem/etwas machen — form an impression of somebody/something
6) injemanden [über etwas (Akk.)] ins Bild setzen — put somebody in the picture [about something]
[über etwas (Akk.)] im Bilde sein — be in the picture [about something]
7) (Theater) scene* * *-er n.figure n.image n.picture n.tableau n. -
3 Art
Portugal did not produce an artist of sufficient ability to gain recognition outside the country until the 19th century. Domingos Antônio Segueira (1768-1837) became well known in Europe for his allegorical religious and historical paintings in a neoclassical style. Portuguese painting during the 19th century emphasized naturalism and did not keep abreast of artistic innovations being made in other European countries. Portugal's best painters lived abroad especially in France. The most successful was Amadeo Souza- Cardoso who, while living in Paris, worked with the modernists Modigliani, Georges Braque, and Juan Gris. Souza-Cardoso introduced modernism into Portuguese painting in the early 20th century. A sustained modernist movement did not develop in Portugal, however. Naturalism remained the dominant school, and Portugal remained isolated from international artistic trends, owing to Portugal's conservative artistic climate, which prevented new forms of art from taking root, and the lack of support from an artistically sophisticated, art-buying elite supported by a system of galleries and foundations.Interestingly, it was during the conservative Estado Novo that modernism began to take root in Portugal. As Prime Minister Antônio de Oliveira Salazar's secretary for national propaganda, Antônio Ferro, a writer, journalist, and cultural leader who admired Mussolini, encouraged the government to allow modern artists to create the heroic imagery of the Estado Novo following the Italian model that linked fascism with futurism. The most important Portuguese artist of this period was Almada Negreiros, who did the murals on the walls of the legendary café A Brasileira in the Chiado district of Lisbon, the paintings at the Exposition of the Portuguese World (1940), and murals at the Lisbon docks. Other artists of note during this period included Mário Eloy (1900-51), who was trained in Germany and influenced by George Grosz and Otto Dix; Domingos Alvarez (1906-42); and Antônio Pedro (1909-66).During the 1950s, the Estado Novo ceased to encourage artists to collaborate, as Portuguese artists became more critical of the regime. The return to Portugal of Antônio Pedro in 1947 led to the emergence of a school of geometric abstract painting in Oporto and the reawakening of surrealism. The art deco styles of the 1930s gave way to surrealism and abstract expression.In the 1960s, links between Portugal's artistic community and the international art world strengthened. Conscription for the wars against the nationalist insurgencies in Angola, Mozambique, and Guinea- Bissau (1961-75) resulted in a massive exodus of Portugal's avante-garde artists to Europe to avoid military service. While abroad, artists such as Joaquin Rodrigo (1912-93), Paula Rego (1935-), João Cutileiro (1947-), and others forged links with British, French, Italian, and Spanish artistic communities.The Revolution of 25 April 1974 created a crisis for Portugal's artists. The market for works of art collapsed as left-wing governments, claiming that they had more important things to do (eliminate poverty, improve education), withdrew support for the arts. Artists declared their talents to be at the "service of the people," and a brief period of socialist realism prevailed. With the return of political stability and moderate governments during the 1980s, Portugal's commercial art scene revived, and a new period of creativity began. Disenchantment with the socialist realism (utopianism) of the Revolution and a deepening of individualism began to be expressed by Portuguese artists. Investment in the arts became a means of demonstrating one's wealth and social status, and an unprecedented number of art galleries opened, art auctions were held, and a new generation of artists became internationally recognized. In 1984, a museum of modern art was built by the Gulbenkian Foundation adjacent to its offices on the Avenida de Berna in Lisbon. A national museum of modern art was finally built in Oporto in 1988.In the 1980s, Portugal's new generation of painters blended post-conceptualism and subjectivism, as well as a tendency toward decon-structionism/reconstructionism, in their work. Artists such as Cabrita Reis (1956-), Pedro Calapez (1953-), José Pedro Croft (1957-), Rui Sanches (1955-), and José de Guimarães (1949-) gained international recognition during this period. Guimarães crosses African art themes with Western art; Sarmento invokes images of film, culture, photography, American erotica, and pulp fiction toward sex, violence, and pleasure; Reis evolved from a painter to a maker of installation artist using chipboard, plaster, cloth, glass, and electrical and plumbing materials.From the end of the 20th century and during the early years of the 21st century, Portugal's art scene has been in a state of crisis brought on by a declining art trade and a withdrawal of financial support by conservative governments. Although not as serious as the collapse of the 1970s, the current situation has divided the Portuguese artistic community between those, such as Cerveira Pito and Leonel Moura, who advocate a return to using primitive, strongly textured techniques and others such as João Paulo Feliciano (1963-), who paint constructivist works that poke fun at the relationship between art, money, society, and the creative process. Thus, at the beginning of the 21st century, the factors that have prevented Portuguese art from achieving and sustaining international recognition (the absence of a strong art market, depending too much on official state support, and the individualistic nature of Portuguese art production) are still to be overcome.
См. также в других словарях:
American scene painting — refers to a naturalist style of painting and other works of art of the 1920s through the 1950s in the United States. American scene painting is also known as Regionalism.After World War I many American artists rejected the modern trends emanating … Wikipedia
American scene painting — Scène américaine La Scène américaine (en anglais : American scene painting) est un style de peinture du mouvement naturaliste qui se manifesta des années 1920 aux années 1930 aux États Unis. Il apparut après la Première Guerre mondiale, en… … Wikipédia en Français
American Scene — Charles Demuth: Aucassiu and Nicolette (1921) Amerikanischer Realismus, auch American Scene genannt, bezeichnet eine in den ersten beiden Jahrzehnten des 20. Jahrhunderts in den USA entstandene Stilrichtung der Malerei des Realismus. Merkmale… … Deutsch Wikipedia
Scene-painting — The earliest American publication on scene painting, according to Warren C. Lounsbury (xvii), was A Practical Guide to Scene Painting and Painting in Distemper (ca. 1883) by F. Lloyds, who described techniques, equipment, and scene design… … The Historical Dictionary of the American Theater
Scene americaine — Scène américaine La Scène américaine (en anglais : American scene painting) est un style de peinture du mouvement naturaliste qui se manifesta des années 1920 aux années 1930 aux États Unis. Il apparut après la Première Guerre mondiale, en… … Wikipédia en Français
Scène américaine — La Scène américaine (en anglais : American scene painting) est un style de peinture du mouvement naturaliste qui se manifesta des années 1920 aux années 1930 aux États Unis. Il apparut après la Première Guerre mondiale, en réaction à l art… … Wikipédia en Français
American modernism — like modernism in general is a trend of thought that affirms the power of human beings to create, improve, and reshape their environment, with the aid of scientific knowledge, technology and practical experimentation, and is thus in its essence… … Wikipedia
American realism — was a turn of the century idea in art, music and literature that showed through these different types of work, reflections of the time period. Whether it was a cultural portrayal, or a scenic view of downtown New York City, these images and works … Wikipedia
American Abstract Artists — (AAA) was formed in 1936 in New York City, to promote and foster public understanding of abstract art. American Abstract Artists exhibitions, publications, and lectures helped to establish the organization as a major forum for the exchange and… … Wikipedia
painting, Western — ▪ art Introduction history of Western painting from its beginnings in prehistoric times to the present. Painting, the execution of forms and shapes on a surface by means of pigment (but see also drawing for discussion of depictions in … Universalium
American Gothic in popular culture — This article addresses notable examples of references to the famous painting American Gothic in popular culture.* Postcards replacing the couple with sitting US Presidents and Presidential nominees (and their spouses) are often popular products,… … Wikipedia
